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 t h e a t r e

A Muse of Fire


1988 Salisbury Festival; 1989 Edinburgh Festival
2.x.88, Playhouse Theatre, London
one man show devised by Gerard Hastings and Alan Bates
designed and directed by Gerard Hastings

 

from the Christian Science Monitor, 7.ix.89

Superb Drama at Edinburgh

by Christopher Andreae

THIS YEAR as always, drama took all kinds of shapes at the Edinburgh International Festival, which ended its three-week run Sunday. ...And there were one-man productions by actors unknown or well-known: "A Muse of Fire," a compilation of excerpts -- some read, some performed, all in some way connected with fire -- was one of the outstanding examples of the genre, with Alan Bates as its sole star.

"A Muse of Fire" was lapped up by its audience. What a marvellous theme for a one-person entertainment! Alan Bates clearly enjoyed having the stage to himself. He encompassed a considerable range of material from John Donne's poem "Busy old fool, unruly sun" to moving contemporary reports of the self-immolation of Jan Palach in Czechoslovakia.

There was some splendid comedy which both Bates and the audience seemed to enjoy most: an excruciatingly funny letter by Evelyn Waugh about ham-fisted aristocrats and army types blowing up a tree stump, and a brilliant monologue about the way in which Handel managed to interweave strings into his "Music for the Royal Fireworks" in spite of the King's decreed preference for martial trumpets.

 


 

from the 1988 Playhouse programme notes

 

HAVING been invited individually to contribute something to the 1988 Salisbury Festival, the theme of which was Fire, the actor Alan Bates and painter Gerard Hastings decided to collaborate on a project, the result of which was A MUSE OF FIRE. It was originally conceived for Salisbury Cathedral and tonight's performance [Sunday, 13 .xi. 89] has been specially adapted for the Playhouse Theatre. ...This unusual collaboration between an actor and a painter, the visual image and the spoken word, is united through this theme of fire as seen in drama, poetry, literary sources, prose, anecdotes, etc.

GERARD HASTINGS was born in the northeast in 1960 and gained an M.A. in Art History and Painting from the University of Aberystwyth in 1983. In 1985, Gerard was awarded a foundation scholarship to paint in the USA by the playwright Edward Albee; his other prizes for painting include the Frances Williams and Sir Ken Bowen Thomas prizes for Fine Art and the MacFarlane Walker Bursary. He has exhibited widely with many one-man exhibitions in London, Paris and New York. Gerard Hastings has lectured at the University College of Wales and the Tate Gallery and is currently lecturing in Renaissance Art History in London.

SUNDAYS AT THE PLAYHOUSE was organised to raise funds for Crusaid's Haven Project, which provides special care for people with Aids. All proceeds were given to the Haven Project. Other performers in the series included Ian McKellen, Ned Sherrin, Elisabeth Welch, Derek Jacobi & Isla Blair, Prunella Scales, Ian Partridge and Richard Burnett. Bates subsequently did a second one-man show, AN ENORMOUS YES, for Sundays at the Playhouse on 18.xii.89, in a series which also featured Michael Feinstein, Brian Cox, the Medici Quartet, Judi Dench and Michael Williams.