PLOT SYNOPSIS from the All-Movie Guide: "Polish
filmmaker Jerzy Skolimowski directed Hands Up! in 1967; he also
wrote it, handled the art direction, and played a leading role.
Skolimowski portrays Andrzej Leszcyzc, one of several doctors
attending a medical school reunion in a sealed-up railway carriage.
Between drinks, the disenchanted medicos ruminate over the effect
that communism (particularly the Stalinist brand) has had on
their profession. Never mind that Russia has just gone through
an extensive de-Stalinization program; the Polish authorities
found Skolimowski's message offensive, and banned Hands Up! outright,
compelling the director to seek out creative freedom in other
countries. The film was not released until 1981--just in time
for martial law to once more rear its ugly head in Poland."
The
film begins with a director's note saying that Rece do gory
was made in 1967 and suppressed by government censors. In 1981
it was suggested that the film could be released; Skolimowski
reworked the contents somewhat and presented it as a sort of
diary, reflecting on who he was, and what life was, 14 years
before. Much of the imagery and action are the director's response
to the violence and destruction of the times, with tentacles
reaching back, in one haunting scene, to the WWII death camps.
Skolimowski also explores how we are defined by our past, and
how we can break free (one of the classmates is literally encased
in clay and is eventually freed in a sort of rebirth). In addition
to acting in the film, Skolimowski appears in 1981 section as
himself, directing a film.
From reading the
credits, it was clear that Alan Bates would have a very minor
role in the film: he was not named. (He and a handful of other
familiar actors, including Jane Asher, appear in brief, non-speaking
cameos, are onscreen for moments, and are credited at the end
of the film.)
Bates, wearing a white jumpsuit and black shirt,
is seen briefly as an artist (above, posing a model). He then
appears in an art gallery, emerging from behind a large painting.
He carries it down a spiral staircase and, back turned to us,
lets it fall with a thud that startles guests in the room. As
the painting (which shows a woman - a victim - falllen and twisted)
drops, the scene cuts to a body, covered and bleeding, in the
street).

The cameos are part of the 80's commentary on the earlier film.
(Skolimowski directed Bates in The Shout in 1978.) The
film's distinguished score was composed by Krzysztof Penderecki.

PUBLISHED: New York, N.Y.: Contal International,
Inc., 1988 (78 min.) In Polish with English subtitles. Videocassette
release of a 1981 motion picture by Film Polski, made in 1967.
Director: Jerzy Skolimowski.
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