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Review by C. Lochlyn Carter
The Mothman Prophecies is a very well crafted,
stylistic psychological thriller that performs excellently, however
might be misleading to film-goers around the country. When I
first saw the trailers for "Mothman" I expected it
to be a quasi-monster movie, but the film goes for more than
that.. Much more.
John Klein (Richard Gere) plays
a reporter for a Washington-based media outlet who is deeply
in love with his wife Mary (Debra Messing) until a car horrible
accident injures and later kills her (with the help of a rare
type of brain tumor). But Mary saw something before the accident,
something she tries desperately to tell her husband, but cannot.
Rather she scribes down her vision in cryptic, eerie sketches.
The sketches depict a winged creature (one looked like Ghostface
from Scream, actually).
Two years later, John finds himself
driving on a West Virginia road in the middle of the morning.
Not knowing where he's going or how long he's been driving, he
knocks on the door of a nearby house to call for help. The owner
of the house, Gordon (Will Patton), pulls a shotgun on John and
threatens to kill him. Apparently John has been knock-knock-knocking
on his door for the past three nights, but we know that John
hasn't.
 Enter
Connie Parker (Laura Linney), a local Sgt. in Point Pleasant.
From the get-go she suspects something is up. We later find out
that more and more people have been seeing these "Mothmen"
around town - even 'respectable, church-goin' folk!' A few eerie
sequences involving testimonials from town-folk follow, which
were really well acted and quite chilling. They talk of an eight-foot
man with red glowing lights and static-laced phone calls. Connie
and John filter through the facts and try to get to the bottom
of this Scooby mystery. Things take a turn for the "what
the fuck?" when John's wife begins appearing. John is desperate
to decode the clues, but pays for it with his sanity.
What I loved most about this movie
was its visuals. It was like a sup'd up episode of The X-Files
(I know, I know, that's what everyone is saying but it's true).
Pellington slides in some of the most exquisite close-ups I've
seen captured on celluloid. The CGI (rarely seen) is seamless
and the visuals never seem out of place or forced. The opening
title sequence is a perfect example of the genius insight behind
the cinematography. The movie itself was quite long, but the
pace never really slowed too much, which was enjoyable. I did
feel like the ending was tacked on, just because it built up
to a certain point and once it reached that point it kept going.
This was in conjunction with John's character arch. Those who
have seen it and read the fine lines will know what I'm talking
about. Musically the movie isn't your typical thriller. It's
not derived, as one might think. It's surreal, beat-influenced,
always fitting yet surprisingly not predictable. The rest of
the soundtrack consists of exquisite sounds. A feast for the
ears.
Richard Gere and Laura Linney together again.
What a sight. They play off each other perfectly, even though
Linney is rarely seen out of her tough-to-chew cop exterior.
Nice accent! Their chemistry works to the film's advantage (they
worked together on Primal Fear, remember?), but not to the point
where it's diluted by a love angle. Maybe that's why everyone
makes the X-Files comparison.. It's like Mulder and Scully. Of
course, here, we see Gere travelling down a path that leads to
insanity. He is drawn in by the connection of these Mothmen to
his dead wife. It's truly fascinating and Gere doesn't let us
down here at all. Will Patton had me convinced the whole way
through. His more emotional scenes left me feeling awkward, just
as they should have. Alan Bates is introduced quite late and
we initially seem him as bitter. An experienced actor he is,
he lets us sink down and empathize with him as his role plays
out. Overall, no complaints on the acting end. Everyone spit
out above par performances for a movie of this "supposed"
stature.
Pellington definitely has my attention
now. Arlington Road was entertaining, but not without its flaws.
Here we have a now-experienced man at the helm of a film, which
is an excellent opening to a fresh year of films.
So what are the Mothmen? Not scary
saskwatches, that's for damn sure. Oddly enough, they never really
invoked any fear in me to begin with. Their mythical, but not
terrifying. I'll let the movie do the rest of the explaining
(they do it quite well, too!). We don't see them because we cannot
see them. Nevertheless, this movie has performed very well and
has reached my expectations. It's less of the Mimic rip-off that
one would think. It's too bad that it will disappoint those who
"want" a Mimic rip-off, which is undoubtedly a lot
of people. I can't help but wonder if the Mothmen are trying
to contact me right now. Hmm. |||

Gere's 'Mothman' to be filmed here
Pittsburgh Region to pose as W.Va. for 12 weeks
By Barbara Vancheri, Post-Gazette Staff Writer
Silver-haired actor Richard Gere will star in a
movie version of "The Mothman Prophecies," scheduled
to shoot in Pittsburgh and the surrounding region for a dozen
weeks starting in late January.
Richard S. Wright, an executive
with the company producing the picture, calls it "a cinematic
cousin, if you will, of films such as 'The Sixth Sense.' It's
a very intelligent, very well-written script. ... We really have
high hopes for this film."
Based on the 1975 real-life book
"The Mothman Prophecies" by John A. Keel, it will be
directed by Mark Pellington. His most notable film was "Arlington
Road," a smart thriller with Jeff Bridges.
- The look of the terrain
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Wright describes "Mothman" this way:
"It's about a Washington reporter who, through mysterious
circumstances, ends up in a small town in West Virginia where
all sorts of strange, unexplained occurrences are happening.
He starts to piece together that all these occurrences are somehow
connected and he has to figure out how."
The book, which deals with events
in the late 1960s, includes mention of psychic visions, UFOs
and a birdlike creature known as Mothman. The flapping figure's
appearance apparently coincides with the deadly collapse of a
bridge, making one of Western Pennsylvania's trademark spans
key to the project. Wright, who works for Lakeshore Entertainment
in Los Angeles, said, "Once the draft was into its current
state, Richard Gere loved it and signed on. It's a fictionalization
of a true series of events that actually did happen in West Virginia
some years back."
It's too soon to say when the
movie, which could be re-titled, would arrive in theaters, but
next fall would be the earliest. Wright said that even though
the story deals with the paranormal, "it plays very much
like a suspense thriller."
- The look of the terrain
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While "Mothman" could have followed many
of its film brethren north, Wright said Pittsburgh was a better
fit.
"We considered shooting in
Canada, which -- quite honestly -- is less expensive, but the
look of Pittsburgh really matched what we were looking for in
West Virginia. We basically scaled down the movie so we could
shoot it here. He said Pellington found the region's hilly terrain
especially appealing."The director really fell in love with
the look of the terrain; it's very three-dimensional, with long
sight lines and it makes the town in its own way very photogenic,"
Wright said.

Book review from the amazon.com website
"The Mothman Prophecies," by John Keel
Paperback - 275 pages (October 1, 1991)
Illuminet Press; ISBN: 0962653438
Fascinating true account of the paranormal,
August 30, 2000
Reviewer: Chris Pittman from Franklin MA USA
 I have read over 200 books on
UFOs and for many reasons, this is my favorite. Keel is an honest
investigator who was fortunate to be involved in the strange,
spooky events he writes about. Taken along with his first book,
Operation Trojan Horse, this slim volume says more about
the true nature of the UFO phenomenon than almost any other book
written since.
I was initially doubtful of the
validity of Keel's claims, as some other reviewers are. However,
I had the luck of meeting a man mentioned in the book who accompanied
Keel on his investigations. This person, whom I trust and sincerely
believe to be honest, flatly stated that everything in the book
was true, that he had been there, spoke to the witnesses, and
eventually became involved in the phenomena, as did Keel. The
fact is, these things happened. In fact, Keel left some of the
strangest evidence out of the book.
Mothman Prophecies is a
fascinating true story, and I recommend it to anyone who has
a real desire to know the truth about UFOs and the paranormal.
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